Chapter 5 Hand-Drawn Chainsaw

Chapter 5

"The average painter of the high-level sequence has the magic brush of Ma Liang."

Rosen activated the spiritual attachment again. This time he spent half an hour to draw a steamed bun.

After drawing it, he took it in his hand and ate it.

Exactly twelve seconds passed, and the last bite of steamed bun in his hand disappeared.

However, the feeling of fullness brought by the steamed bun that had been eaten did not disappear. Obviously, although the things drawn by the spiritual attachment have a time of existence, they are indeed real. He will never starve to death with this skill alone, which restores two points of spirituality every day.

After two consecutive spiritual attachments, Rosen realized the importance of the basic painting skills.

It is true that with the help of the extraordinary source of energy, he can become a human printer, but this state cannot perform spiritual attachment. When the spiritual attachment is attached, he still needs to paint normally, which is even more difficult than normal painting. The greater role of the human printer state is to assist in mastering painting skills.

Rosen now truly understands why the artist sequence is one of the three major civilization sequences of mankind.

...

Six days later, the spirituality that Rosen injected into the main god computer has reached ten units.

He has not been idle these days, honing his painting skills every day.

The artist sequence is a human civilization sequence, so there is no need for potions to improve the sequence level. You only need to keep moving forward in the corresponding professional sequence, and your spirituality will naturally grow. The way for the painter sequence to grow is to hone your painting skills and paint with spirituality.

However, after six days, Rosen did not feel that he had improved much.

It seems that even if it is a painter sequence that saves resources, it still requires a lot of resources to quickly improve spirituality.

He can use two units of spirituality every day, and this is also because the double blood glory adds two points of spirituality. If it is replaced by other painter sequences, only one unit of spirituality can be used every day. Without decades of time, it is almost impossible to raise the upper limit of one's spirituality to eleven points by painting with spirituality.

There is only one way Rosen can think of to shorten this time.

Ordinary painting pens and drawing paper require him to inject spirituality to draw spiritual paintings.

But if the drawing paper and the brush itself contain spirituality, then it is certain that a stronger spiritual painting can be drawn, and then the spirituality can grow faster. However, it is obvious that the drawing paper and brush containing spirituality are definitely not cheap.

So without money and resources, it is not easy to go any extraordinary sequence.

Rosen turned on the main god computer and selected Saw 1 to consume ten units of spirituality to activate it.

The player opened instantly, and Saw 1, which had been watched many years ago and forgotten, began to play on the display screen.

Rosen immediately found something wrong, because the movie played on the display screen seemed to be real, and the world of Saw was real. The display screen just opened a window in this world, allowing him to see everything happening on the other side through the window.

Rosen understood a little, this is probably the true face of the virtual spiritual realm.

The virtual spiritual realm itself exists in the main god computer, and there is no need to use his hands to draw it.

Rather than saying that he was going to use the Lord God Computer to create a virtual spiritual world, it would be better to say that his paintings were just a medium connecting the virtual spiritual world and reality. Thinking of this, he picked up his brush and drawing board and began to paint everything he saw on the drawing paper.

Because he turned into a human printer, Rosen's painting speed was terrifyingly fast.

The essence of a movie is nothing more than a dynamic picture composed of a series of static photographs.

If human vision is strong enough, if human vision can slow down time, then in front of this vision, the movie will not see a coherent and smooth movie picture, but a series of static and separated photos.

The standard for movie projection is to show 24 frames per second, that is, 24 photos are played continuously in one second.

The length of Saw 1 is 103 minutes, which means that this movie is composed of 148,320 static photos.

Rosen is now a human printer, and he can finish a painting of a replica photo in an average of two minutes.

However, even at such a terrifying speed, if he wanted to finish 148,320 static paintings without sleep, he would need to paint for a total of 206 days without sleep, and this was without eating or drinking and without considering muscle wear. In fact, at this speed, his hands would lose feeling after painting for only one or two hours at most.

So Rosen quickly stopped and took out a drawing tablet from the drawer.

Then he shrunk the player to the upper right corner and opened the drawing software.

He could not achieve the efficiency of a camera by painting to reproduce a movie. His approach was more like making an animation, but it was a lifelike animation. With the help of painting software, his work efficiency could be greatly improved.

The story of Saw took place in several rooms full of traps, and only a few main characters were involved.

Rosen only drew a full-body painting of the protagonist Adam. He immediately found that Adam, drawn by the painting software of the Lord God's computer, could come alive on the display screen as he wished, whether it was stretching his hands, raising his legs or doing a backflip, he could change his movements as he wished.

With the background of the room drawn, the scene in the movie could be almost perfectly reproduced.

But dead objects were fine, but when it came to people, the characters drawn in this way looked expressionless like robots.

Rosen immediately realized that this was a lack of spirituality, so he began to shift the focus of his painting to dead objects. He worked so hard on this painting that he forgot to eat and sleep until the next day. At this time, the two units of spirituality he had consumed had been restored, so he immediately took them out and integrated them into the main god computer.

This time, the protagonist Adam he drew came alive and could show all kinds of expressions as he wished.

He looked at the Adam in the player with his left eye and the Adam he drew with his right eye. Gradually, the movements and expressions of the two Adams began to synchronize, and he saved the Adam he drew as a static picture at a frequency of 24 frames per second by relying on the picture saving function of the painting software.

Then he spliced ​​the static Adam onto the static background, and finally printed it all out with a printer.

After seeing the finished product, Rosen fell asleep and continued to paint immediately after waking up.

With the help of painting software and spiritual painting that can bring dead things to life, he only took a week to draw and print all the static paintings of Saw 1 at 24 frames per second, a total of 148,320 pictures.

In the end, in order to save printing paper, he had to shrink the static paintings before printing.

Even so, all the printing paper and color inks had been consumed.

The moment the last static painting was printed, the weak spirituality contained in it was like a line, connecting these printed static paintings with the virtual spiritual realm corresponding to Saw 1 in the main god's computer, and these static paintings also turned into keys.

Rosen spent two days cutting out all the static paintings the size of a matchbox.

There are a total of 148,320 static paintings, each of which is a key to enter the virtual spiritual realm.

Just give a static painting to an ordinary person, and after this ordinary person falls asleep, his spiritual consciousness can be pulled into the virtual spiritual realm, and then become a new character in the movie, as if he has traveled through the movie to write his own plot.

Then a trace of spirituality is taken away unconsciously, the number of individuals is small, but the total number cannot be prepared.

If 148,320 ordinary people enter the virtual spiritual realm every night, then almost 14,832 units of spirituality can be obtained every day. It seems that this number is not much, but he only spends half a month.

There are 14,832 units of spirituality every day, which is definitely a number that cannot be underestimated when accumulated over time.

Especially since this is just a virtual spiritual realm, the spirituality captured by the main god computer is actually a hundred times more than this, but the remaining spirituality becomes the nutrients needed for the virtual spiritual realm to grow into a real spiritual realm. When the virtual spiritual realm becomes a real spiritual realm, the spirituality produced every day will increase dramatically.

The spirituality produced by these virtual spiritual realms is too messy to be directly absorbed and cannot activate more movies on the main god computer.

Therefore, to create more virtual spiritual realms, Rosen still needs to work hard on his own.

However, these spiritualities can be used to make spiritual resources. All the dead things in the virtual spiritual realm of Saw 1 can be exchanged for these spiritualities according to their complexity, including the spiritual paper and pen that Rosen wants most now.

Although it is not as good as special drawing paper and painting pens, it can also save spiritual consumption when creating spiritual paintings.

In this way, at most half a year, his painter sequence 9 can almost grow to the peak of 12 spirituality.

Please read it again