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After reading the book review section today, I suddenly wanted to complain.

One, I saw some children's shoes saying that this part of the plot is a bit messy.

It's just that the description method of using two lines to advance interactively is messed up?

In a nutshell, the scenes involved are Tang Fang's line, Bai Hao and others' line.

is it messy Some book friends think that when I write the world view, I think it’s a word count, and I don’t read it seriously, and then quickly flip through the battle chapters at the back, and then I see nouns, scenes, and characters that I don’t understand at the back, and I’m too lazy to turn the front The introduction said that I scribbled, I was really speechless...

Second, some people think that irrelevant supporting roles waste too much ink.

Is this episode over? Do you know that the two lines of Tang Fang and Bai Hao will belong to one line? Can you accept it if I have to design a plot that repeatedly upgrades and slaps faces in ordinary upgrade novels? I think you can remember everyone, just like those book friends in the book friend group usually discuss in the group, they can remember every supporting role around the protagonist, I believe this is for all book friends who read books seriously It's not difficult.

Supporting characters like Bai Hao and Roy, I am more willing to portray them as flesh-and-blood people, a piece of green leaves that can grow together with the protagonist, the flower, and can see the texture. Rather than a cold name, a prop.

I admit that sometimes when the mind gets stuck, there will be a chapter or two of happy daily life, but when it comes to the small plots that advance the plot, they will eventually be connected to the main line of this stage.

Third, the problem of base visualization.

It is still in the stage of gaining momentum, and the rear is unstable and resources are scarce. Does it make sense to visualize the base?

I can only say that when the plot arrives, it will naturally appear when it should appear.

There is already a lot of foreshadowing ahead, of course it is very cryptic, and you will know when the plot arrives in the future.

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Finally, a couple of digressions.

What I want to write is a story, a story that focuses on the plot and characters, not a purely rhythmic and cool text that pretends to be faceless and repeatedly pretends to be faceless.

It's not just a hegemony novel that simply crushes the whole world with brainless violent soldiers. In my opinion, the protagonist in such a novel is more like a machine than a human being. Don't you feel uncomfortable taking on such a role? When the series of war scenes are over, how many plots can you remember in retrospect?

In short, I am trying my best to make the story, the IQ of the characters, and the world framework better and more reasonable.

Of course, whether you approve or not is not up to me to decide. I can just say with confidence that I have been working hard and never slack off. (To be continued.)